Man on a Planet
October 6, 2015
The Martian (2015).
D: Ridley Scott. DP: Dariusz Wolski. W: Drew Goddard (Based on Andy Weir’s novel of the same name). Starring: Matt Damon/Jessica Chastain/Chiwetel Ejiofer/Jeff Daniels/Kristen Wiig/Kate Mara/Sebastian Stan/Michael Peña/Aksel Henne/Mackenzie Davis/Donald Glover/Sean Bean.
Ridley Scott’s newest venture has sky rocketed in the box office over the weekend. The Martian will probably put Scott back on the sci-fi map, which is a credit to its source material and its star, Matt Damon. Even at nearly forty-five, Damon’s boyish charm and Jason Bourne determination make him an enjoyable force on screen.
I skipped out on Scott’s directorial effort Exodus: Gods and Kings last year and feel confident in that decision. Yet I did make time to see 2012’s Prometheus and even 2010’s Robin Hood. For me Prometheus was a mixed bag, but the lore of the Alien franchise was not something I was deeply connected to. Here in The Martian Scott is free from any baggage and seems to have a clearer hold on the story he wants to tell.
Based on Andy Weir’s initially self-published novel, The Martian is the story of astronaut and botanist Mark Watney (Damon) who is stranded on Mars following an injury during an emergency planet evacuation with his fellow crew-members. Thought to be dead, the crew starts their return home and he wakes up to the daunting task of feeding himself until the next Mars crew arrives in four years. Back on earth NASA eventually figures out Watney is alive and how to communicate with him and the rescue mission plans begin. The novel is a science heavy survival story with loads of humor that thankfully makes it into the film.
A difficult adaptation, Drew Goddard’s script does well in trying to balance Watney’s computer diary with the real rescue plan at home. Goddard previously adapted World War Z for the screen and co-wrote with Joss Whedon the fabulous Cabin in the Woods. Goddard’s script cannot match the wit of the novel, but that is simply because we cannot have a two hour film of just Damon making jokes. The best stick around, but the conventionality or studio glossing as I see it comes in back on earth, especially in a silly coda ending. The momentum is lost with Dr. Kapoor (Chiwetel Ejiofer) and a lot of the tension between the higher ups is diluted to humor and actor Sean Bean being able to say the Lord of the Rings joke from the book. Same can be said about the Mars crew, they aren’t given a chance to shine really, acting more as a catalyst for Watney’s escape possibilities.
The Martian however overcomes this with a visual palette that reiterates why mankind is so obsessed with space travel. Mars and Watney’s gadgets are a great backdrop for Damon’s exploration into how to really survive on the planet. Ultimately that is the joy of the film and the book. To see this character really figure out all the technology and science he needs to try to make it home. The Martian will surely continue to do well and makes me hopeful that Scott’s next movie might be even better.
The Beginning of the End…
July 2, 2012
Prometheus (2012).
D: Ridley Scott. DP: Dariusz Wolski. W: Damon Lindelof & Jon Spaihts. Starring: Noomi Raplace/Michael Fassbender/Charlize Theron/Idris Elba/ Guy Pearce/Logan Marshall-Green/Sean Harris/Rafe Spall/Benedict Wong/Kate Dickie.
With a film like this it is hard to know where to begin unpacking. Highly anticiapted and theorized about, Prometheus marks Ridley Scott’s return to the Alien stories. Originally conceptualized as a prequel to his illustrious Alien (1979), with Sigourney Weaver, Prometheus was then reworked as more of an exploratory origin story. If you even can call it that. Rather, I would say, the film attempts to put into perspective questions the previous films brought up. It creates a new story that enlarges the original scope, while closing in on specific themes. Ultimately, the film will remind audiences that oftentimes there aren’t direct answers to the questions we seek to answer…or are there?
Firstly, the film must be applauded for its visual achievements. It was worth wearing the 3D glasses for the opening sequence alone, which not only was pure beauty, but set the tone of how massive a story would be tacked. The beauty is not limited to just the sets, but to the costume and make-up work. Without spoiling anything, it is safe to say audiences will stay impressed throughout the whole film with the level of artistic work put into everything. Prometheus is truly a cinematic experience.
Similar to the previous Alien films, life and society on board the ship is just as integral to the story as what is found off of it. Thankfully this film is well balanced between the two worlds. Although not your typical leading Hollywood lady, Noomi Raplace’s Elizabeth Shaw is believable and memorable. Hailing from the original Swedish versions of the Girl with the Dragon Tattoo series, Raplace is every bit Weaver’s Ripley’s opposite. This works in her advantage as she appears in direct contrast to statuesque ice queen, Charlize Theron, whose company is paying for the expedition. But also, her physicality aids in her character’s determination to explore and discover her own origin as it reflects that of mankind. Michael Fassbender’s robot David nearly steals the show. Which at times truly helps the film as Theron and even Logan Marshall-Green’s Charlie can get a little heavy handed.
What remains heavy handed, in a good way, is Scott’s clear sense of suspense and mood. Prometheus, much like his original Alien, is like one big gear. It needs a certain amount time to heat up and gain momentum, but once its warmed up there’s no stopping it. For someone unfamiliar with these films it might seem slow, but for anyone “in that world” so to speak, it takes off at just the right time. Yet, very similarly to Scott’s Blade Runner (1982), I felt at times I was plopped into the middle of a story that had so many tangents to it, it was hard to stay focused.
Lastly, on a personal note, I did not enter the cinema thinking I’d have all the answers laid out in front of me. But that does not mean there weren’t still moments of frustration. However, overall I feel Prometheus is a platform. The film expects its audience to take a huge leap off into the unknown. So rather then get frustrated, I enjoyed the fall. And quickly went off to chat about all the details I could not write about here, as you should do as well.